Skip to main content

Akari 7AD

Designed c. 1954
The Akari 7AD is among the first Akari light sculptures designed by Isamu Noguchi. Its soft cuboid form features a black, screenprinted line and rounded rectangle design, mulberry bark washi paper, tight, evenly-spaced bamboo ribbing, and wooden collars (wa). The top of its three-legged metal frame is accented with wrapped bamboo.
$525
$472.50 Members
Members save 10%. Join today

Select a model:
7A
25
13
7AD
25
13
OUT OF STOCK. Expected restock in late 2026.
Enter your email to be notified when this product is available
From the Archives
In 1952, Noguchi continued working on the Akari light sculpture series he had begun a year earlier in Gifu. He created around eighteen models—some with screenprinted designs, like the 7, which featured horizontal stripes—and exhibited them at the Museum of Modern Art, Kamakura.1 An early catalogue (c. 1952) notes that the four models numbered 6–9 have “interchangeable shades...with or without colored designs.”2

Summarizing reception to the show, Hugo Munsterberg wrote in 1953’s College Art Journal, “Critics differed widely as regards the success of these sculptures, but all of them were unanimous in hailing his lamps, which combine modern design with the traditional Japanese lanterns, as eminently successful.”

Noguchi brought the 7, along with a handful of other early models, back to his earthen-walled studio in Kita Kamakura3, situated on the land of famed ceramicist Rosanjin. It was photographed there with an early 12A.

The 7 appears again at the Chuo Koron Gallery exhibition of 1954,4–6 with the patterns from c.1952 (striped and checkered) replaced by a rounded rectangular form on two faces of the shade, and a pair of irregular lines on the alternating remaining faces. Both a black (now called the 7AD) and yellow-brown version are shown.

About Akari Light Sculptures

Learn more about the history of Akari, one of Isamu Noguchi’s most successful efforts “to bring sculpture into a more direct involvement with the common experience of living.”

Related Works

FAQs